SNP
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D
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Vysoké učení technické v Brně. Fakulta výtvarných umění
Abstract
Zámerom diplomovej práce bolo priblížit dianie po roku 1945, kedy nastalo obdobie spomínania v spolocnosti, ktoré slúžilo ako terapia, politika a estetika. Práce na spomienkach sa postupne pretavili, okrem iných veci, do pomníkov, ktoré pôsobia proti kolektívnemu zabudaniu.Vznikli miesta spomínania, ktoré sa vztahujú na historické udalosti i na súkromné príbehy. Partizánske pomníky tak posiali krajinu, v ktorej majú pripomínat v podstate neprítomné. Znovuspomínanie si, tak dostáva na povrch opät zabudnuté informácie, ktoré vytváraním logických súvislosti tvoria štruktúru. Táto štruktúra podlieha zmene, ktorej dopomáha prepisovanie a prekrývanie sa informácií v jednotlivých vrstvách štruktúry. Ani umenie sa nevyhýba spomínaniu a zabúdaniu, tematizuje ich a vytvára si stratégie, medzi ktoré je zahrnuté aj prepisovanie. Média aj individuá prepisujú prázdne miesta minulosti v súcastnosti, zbieraním a skladaním mozaiky, ktorá dovoluje napísat si vlastnú identitu.
The aim of the thesis was to bring events after 1945, when there was a period of remembrance in the company , which served as a therapy , politics and aesthetics . Work on the memories gradually morphed into , among other things , to the monuments that act against collective oblivion . Arise place of remembrance , which relate to historical events and private stories . Partisan monuments fill in the country which they have to remind essentially absent . Again remembering you and gets to the surface again forgotten information that creating a logical connection form the structure . This structure is subject to change , which helped by rewriting and overlapping information in different layers of the structure . Neither art does not avoid the remembrance and forgetting , and creates a theme of a strategy , which is included rewriting . Media and individual override blank sheets in the past, currently , collecting and composing the mosaic , which allows you to create your own identity.
The aim of the thesis was to bring events after 1945, when there was a period of remembrance in the company , which served as a therapy , politics and aesthetics . Work on the memories gradually morphed into , among other things , to the monuments that act against collective oblivion . Arise place of remembrance , which relate to historical events and private stories . Partisan monuments fill in the country which they have to remind essentially absent . Again remembering you and gets to the surface again forgotten information that creating a logical connection form the structure . This structure is subject to change , which helped by rewriting and overlapping information in different layers of the structure . Neither art does not avoid the remembrance and forgetting , and creates a theme of a strategy , which is included rewriting . Media and individual override blank sheets in the past, currently , collecting and composing the mosaic , which allows you to create your own identity.
Description
Citation
ORSÁG, M. SNP [online]. Brno: Vysoké učení technické v Brně. Fakulta výtvarných umění. 2014.
Document type
Document version
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Language of document
cs
Study field
Výtvarné umění - sochařství - volná tvorba
Comittee
MgA. Vasil Artamonov (předseda)
doc. Mgr. Art. Svätopluk Mikyta (člen)
doc. MgA. Luděk Rathouský (člen)
prof. MgA. Petr Kvíčala (člen)
doc. MgA. Milan Houser (člen)
prof. akad. soch. Michal Gabriel (člen)
prof. akad. soch. Jan Ambrůz (člen)
MgA. Matěj Smetana, Ph.D. (člen)
PhDr. Pavel Ondračka (člen)
Date of acceptance
2014-05-23
Defence
Result of defence
práce byla úspěšně obhájena
Document licence
Standardní licenční smlouva - přístup k plnému textu bez omezení