Tvorivosť v procese prezentácie architektonického dedičstva

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but.event.date07. 11. 2013cs
but.event.titleTypologie (n)ostalgie – Věda ve výstavběcs
dc.contributor.authorPetrášová, Silvia
dc.date.accessioned2016-01-26T13:53:06Z
dc.date.available2016-01-26T13:53:06Z
dc.date.issued2013cs
dc.description.abstractExperts have been wondering to what extent the work of architects in monument restoration requires creativity and whether this task must be appointed to architects. There is also a conflict between monument preservation and new production, when historical environment is not seen for its potential but perceived as a problem. This is caused by the lack of cultural identity and clash of consumer society and spiritual values. Quality presentation of architectural heritage is a precondition for positive change. Key positions in this process are a methodologist – the author of the proposal for restoration or a regional monuments board officer, and an architect – the author of the project. They are translating scientific outcomes of an architectural monument research into its future presentation. Key terms in efforts to achieve a positive shift in the process of presenting architectural heritage are specialization, interdisciplinary cooperation and coordination. Specialization should be required from both architects and methodologists. However, no institutions or laws demand that. Interdisciplinary cooperation is teamwork. While it has potentials and risks, it is an essential element of this complex issue, assuring creative process with positive results. Coordination should be done by an architect, given all the professions involved – his or her education provides for technical, functional and artistic elements of architectural work. However, for optimal presentation it is not decisive whether it is an architect or any other educated person. Despite complex conditions, there are some presentations of architectural heritage where the process allowed for ideal implementation. The question is whether we will continue to hope for such cases, or instead we will contribute to maximizing them...en
dc.description.abstractV odborných kruhoch v oblasti architektúry rezonuje otázka, do akej miery je práca architekta pri obnove architektonickej pamiatky tvorivá, či je vôbec nutné, aby túto funkciu zastával architekt. Zároveň dochádza ku konfliktu medzi ochranou pamiatok a novou tvorbou, keď nie je historické prostredie chápané ako potenciál, ale ako problém. Dôvodom je nedostatočná kultúrna identita a kríza vzťahov medzi konzumnou spoločnosťou a duchovnými hodnotami. Kvalitná prezentácia architektonického dedičstva je predpokladom pozitívnej zmeny.sk
dc.formattextcs
dc.format.extent83-88cs
dc.format.mimetypeapplication/pdfen
dc.identifier.citationTypologie (n)ostalgie. 2013 s. 83-88. ISBN 978-80-7204-858-8cs
dc.identifier.isbn978-80-7204-858-8
dc.identifier.urihttp://hdl.handle.net/11012/52196
dc.language.isoskcs
dc.publisherAkademické nakladatelství CERMcs
dc.relation.ispartofTypologie (n)ostalgiecs
dc.rights© Akademické nakladatelství CERMcs
dc.rights.accessopenAccessen
dc.subjectprezentace architektonického dědictvícs
dc.subjectprocescs
dc.subjecttvořivostcs
dc.subjectspecializacecs
dc.subjectkoordinacecs
dc.subjectpresenting architectural heritageen
dc.subjectprocessen
dc.subjectcreativityen
dc.subjectspecializationen
dc.subjectcoordinationen
dc.titleTvorivosť v procese prezentácie architektonického dedičstvask
dc.title.alternativeCreativity in the process of presenting architectural heritageen
dc.type.driverconferenceObjecten
dc.type.statusPeer-revieweden
dc.type.versionpublishedVersionen
eprints.affiliatedInstitution.departmentFakulta architekturycs
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Typologie (n)ostalgie – Věda ve výstavbě