Ústav teorie architektury
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- ItemArchitektonický obraz jako nositel významu(Vysoká škola báňská - Technická univerzita Ostrava, Fakulta stavební, katedra architektury, 2019-10-02) Kinnert, FilipJednou z přidaných hodnot architektonického díla je schopnost být nositelem komplexní informace zakódované ve tvarech a formách. Tato práce se zabývá významem v tom smyslu, jak architektonické dílo ve svém uspořádání odráží záznam tvůrčího procesu, jak artikuluje vztahy uvnitř celku a vztahy se svým okolím. Autor srovnává fenomenologický přístup Christiana Norberga-Schulze a Juhani Pallasmaa s teorií "center" Christophera Alexandera při objasnění "architektonického obrazu". Studie předkládá Alexaderův pojem "celistvost" jako klíčový při vytváření významuplného prostředí. Paradigma celistvého světa se nabízí jako odpověď teorie architektury na krizi prostředí a nabízí metodu, jak vytvářet z prostoru poetické" místo.
- ItemBetween East and West: Karel Chytil as Museologist, Educator, and Art Historian(Muzeológia a kultúrne dedičstvo, 2020-10-01) Šopák, PavelAdapted version of the text presented at the colloquium organised in Prague on 12 November 2019 by the Institute of Art History of the Czech Academy of Sciences (CAS) on the 85th anniversary of PhDr. Karel Chytil's death. The text deals with the institutional and cultural political aspects of Chytil's career as an art historian, museologist, and lecturer.
- ItemA Garden Of Hesperids? A Case Study From Morocco: Specific Location And Suitable Environment(2023-12-13) Adamec, EmilThe Garden of the Hesperides may have been located at the westernmost tip of the Mediterranean Sea in North Africa, near the Atlas Mountains, on the edge of the world ocean, in present-day Morocco. Whether or not these sites are more accurately described, model studies have emerged that are of interest for understanding patterns in Moorish and Roman northwestern Morocco and suggest that they ideally explore the relationship between sites, subsistence, access to the sea, and agriculture. They also examine location and distance from the sea and the relationship to maritime trade with the Mediterranean. These models are examples of successful ecosystem ensembles that can be used to determine the distribution of settlements based on environmental resources and cultural factors. In this study, 30 sites are examined. Other locations are also mentioned in connection with the Hesperidek garden. For example, the Sicilian Greek poet Stesichorus in his poem "Song of Geryon" and the Greek geographer Strabo in the third volume of his book Geography mention that the Garden of the Hesperides was located in Tartessus in the south of the Iberian Peninsula. However, in the light of this independent study and other sources, it is possible that some of the 30 sites studied in north- west Morocco may be the mythical Garden of the Hesperides.
- ItemEvolution of public library architecture as based on the work of Alvar Aalto and the extension of the Seinäjoki library(Wydawnictwo Politechniki Krakowskiej, 2024-12-02) Šlapeta, Vladimír; Gierbienis, MarcinThe paper discusses how library architecture has evolved over the centuries on the case study of the extension of the public library in Seinäjoki. Finnish city is also known for the work of Alvar Aalto, who created a civic centre that also became the site of one of the most interesting libraries. Aalto was passionate about this form of use, which accompanied him through various stages of his career. Given that the old building and the new one were built less than half a century apart, it is interesting from a research point of view to compare their architecture, aesthetics and approach to spatial organisation.
- ItemBaťovany – Partizánske: The Contemporary Re/invention of the Heritage of a Baťa Company Town(Etnologický ústav AV ČR, v. v. i., 2024-06-25) Vacková, Barbora; Bartošová, NinaThe text focuses on the re/construction of identity and heritage conservation in the Slovak town of Partizánske. The town was founded as one of the industrial towns of the Baťa company at the turn of the 1930s and 1940s. Despite the efforts of experts, neither the town’s urban plan nor any significant part of it (except for the modernist church) is institutionally protected to this day. In this text, we offer an alternative approach to the re/construction of historical heritage and its institutional protection. In addition to qualities deemed valuable by art historians, this approach is informed by the current collective memory on which the town’s inhabitants base their relationship to historical heritage. We anticipate that focusing on the inhabitants’ current relationship and understanding of the city’s history and broadening the focus beyond the founding firm and its activities can support efforts to institutionalise local heritage conservation